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Artworks
Young Voyeur, 1982
Oil on canvas
110 x 150cm
A bodiless head clearly establishes a voyeuristic presence in the picture plane where figures recline comfortably in sexual abandon. Together with other implied offsite protagonists, the viewer is co-opted and...
A bodiless head clearly establishes a voyeuristic presence in the picture plane where figures recline comfortably in sexual abandon. Together with other implied offsite protagonists, the viewer is co-opted and incorporated in the scene by hands and arms in the scene.
Referencing Rembrandt’s ‘Bathsheba’, the art critic Deon Viljoen writing in Die Burger, was first to identify and conceptually name the ‘Voyeur’ in the work of FSG,