The videos and photographs of Gillian Wearing (British. b 1963) edit life by turning the camera lens both inwards and out with theatrical artifice. As with the work of Claude Cahun, history, class and gender are considered in many forms.

On the other hand, Scialom Greenblatt consistently privileges paint, suggesting in this work that the material substance is being ‘worn’ by another. Impastoed complementary relationships underscore the difference between painting and drawing as well as the effects of colour when seen alongside ‘Cahun Gold’.